limited to 250 copies !!! on august 4th 2011, the sony music warehouse in enfield, north london was attacked during riots and looting that affected many areas of the capitol over the course of a week. the warehouse burned down completely, taking with it millions of cds and vinyl stored by the distributor pias including the back catalogue of freerange. the blow was devastating for many labels, with the logistics of manufacture and minimal insurance payouts meaning that recreating the entirety of their old stock was completely impossible and many releases have been lost forever as a result.

the jam is the band of the modfather paul weller. although the jam emerged at the same time as punk rock, the jam better fitted the mould of the new wave bands who came later.
180 grams audiophile vinyl release, includes full colour insert.

shhhh006 will be released on 12 inch vinyl including cd. the vinyl is strictly limited to 190 sales units with each of the records coming with a colored banner-sticker! includes remixes by mathias schaffhäuser, bob humid (aka robert edwin), bluff and matthew adams. at least knowing vinyl is kept alive.

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.

the vinyl version also in the cd version

hazylujah is a new talent from italy. his four track ep >too many ghosts< is a fizzing and machine wired world of deep space atmospherics, house beats and techno futurism. it clunks and splutters with analogue details in its own unique way.

the debut album by the 2 bears finally available on double 12 inch vinyl.

from the unlikely bass music hotspot of austin, texas, the mighty vvv returns to fortified audio with his strongest material yet in the form of his – and the labels – debut album. if you slept on the projects ep we released in 2010, nows the time to get acquainted with the dynamic progressive garage thats garnered praise from the likes of martyn and oneman. while still giving nods to the classic sounds of ghost, early tempa and vintage dem-2 productions, across the sea updates these formats with deep and futuristic synth work, subtle but weighty basslines and precision rhythms that mark vvv out as one of the most formidable producers working in the crowded field of bass music. this time around its not only the future sounds of london that are present, but also the ghosts of classic chicago house, richard d james-esque electronica and an ethereal contemporary soul sound. across the sea showcases the strongest work to date from a guy we consider to be one of the best in the game

nice detroit 4 track ep!! but attention: first track, save the bluebird: sounds are very raw and noise with clicks and clacks ... just listen, snippets are directly from vinyl

some may have thought the trail was cold, but battant (chloe raunet and joel dever) have just been running as far as they can. not running away from something, just keeping on moving. from the headless wave of their first lp, towards the strange shores of their second album, as i ride with no horse that is produced by its a fine line (aka ivan smagghe & tim paris) and will be released worldwide in october 2011. first glimpse: shutter. this is one of the many places where they now stand. a dry, sparse yet catchy romp. on their own edge (between early cure and meth country if you need ready made tags), electronics still dance in the corner, reigned in by the sharp its a fine line (tim paris & ivan smagghe) production. the live take of clearcut is what it says. ghosts in the machines, spookiness never in vain, this is a real song. the idea of a cover of westbam and nenas classic old school, baby had been in the mind of the team for a while. this track is a part of our history. not an easy tackle but we like to think they have made the anthem theirs. going beyond the anecdote, here is a seriously rocking wink with early support from optimo, james holden, tiga, chloe and more.

vinyl doublepack containing the best material from two albums that were recorded back in 2004, all revised and remastered in 2010. very experimental, based in (dark) ambience with rhythmic patterns oriented among idm, electro and triphop. one album was inspired by asian horror movies, and the other was highly inspired by david lynch films >lost highway< and >mulholland drive<. spooky great release... and again bonus cds included!

vinyl set compiling >the crackle of my soul< & >up here in the clouds< albums plus debut 7 inch release from klanggalerie. limited to 500 copies. recorded between 2001 and 2010.

fully qualified survivor is a 1970 release by british folk-rock singer-songwriter michael chapman, featuring the hit >postcards of scarborough<. after the critical acclaim michael chapman received for rainmaker in 1969, he followed up quickly in early 1970 with fully qualified survivor, a record more adventurous and haunting than its predecessor, with added production flourishes and equally strong songs. fully qualified survivor is the album that established chapman as a folk troubadour.

after his brilliant caprica burning release on connaisseur superieur in summer 2008, ghosts will be chymera second cooperation with us, and as we think, the perfect follow up. the irish-man seems to be a restless fellow.

vinyl only !! no digital release !! support : richie hawtin, dubfire, danny tenaglia, josh wink, timo maas, marco carola, ricardo, zip, margaret dygas, joris voorn, sascha funke, loco dice põr grindvik, francesco assenza, andrew grant, samuel l session, marco nastic, paco osuna, livio & roby, davide squillace... the first release from the new talent hubble on sleep is commercial signs the beginning of the limited series. vinyl only. from the pure love hypno atmosphere of the title track the sound develop into la estrella: a dance floor killer. kirks and ghosts show the berlin based label as one of the more eclectic and productive brand new label of the moment

we welcome this fantastic producer on trapez with this piece of music which is quite different from most of what we get today. the title track >ghosts< feels like as if klaus nomi and kraftwerk were performing together... something we would have loved to have seen but which never happened. this track is not for the people who love it safe but for the adventurous and the wicked. voices like sirens striking with high pitched tongues being counteracted by basslines with a surface that can only be described as rough as chunks of splintered steel. a brilliant stop and go feeling shows that christian martin is the master on the steering wheel when it comes to controlling the movement.

the predator mode ep is the hottest tropical bouillabaisse you ever tasted, and to top it all off, we only went and got a remix from the uk funky don known as roska. with fans already including modeselektor, hudson mohawke, diplo, martyn, kode9, rustie and more, you want to get onto this sharpishhh.

london based masters of the groove berkson & what are back on pokerflat with another sublime excursion into deep flowing hypnotic and modern house music. the pairs infamous live show has taken them far and wide, delivering their detailed and unparalleled electronics from berlin to miami and back... now their story continues with the >ghosts ep<. the extended, jacking trip that is >ghosts< is a strong grooving reduced house track in the purest sense of the phrase. tough, tight chicago style beats flare and snap as a melancholic and mysterious synth motif dances around the funk-meets-dub bass sequence. all manner of ethereal spoken word passages, uplifting vocal meanderings and cuts are then intertwined in a complex ambiguous narrative that fills the room with the ghosts of house and soul music gone by... understated, uncompromising and super functional! next up the boys lay down a tribal house groover, full of thick keys, richly embellished drums and spiritual vibes a-plenty. no doubt first jammed out during one of their long studio sessions, the live feel and flowing arrangement opens up beautifully with soft key flourishes and tender vocal hooks.

massive new single from deadmau5 feat the vocals from pendulums rob swire

attention - triple album for the price of a double! mothership tranmsission 019 – >voodeux - the paranormal<
two years ago, on the east coast of america, a couple of highly technical production wizards joined forces and created their own genre of strange and creepy techno under the moniker, voodeux. one from boston and the other from philadelphia, tanner ross and james watts first released >the curse< ep on mothership in 2008 with great success. with dj support rolling in from everywhere claude vonstroke soon commissioned them to record a full-length album of this new moody sound. voodeuxs debut album, >the paranormal< is a concentrated vision of myth and mysterious beats, exploring the eerie after-life side of techno like no other artists have done to date. it is a vision of ghosts and goblins hiding in the closet ready to scare the daylights out of you. using dark funk, ghoulish atmospheres and futuristic production, voodeux is staking their claim as the next generation of american techno and >the paranormal< is a techno masterwork for the modern underworld.

zwischen arcade fire und beirut: grosse gefuehle und grossartiger folkrock im dezember 2006 gruendeten jamie, rory, dave, andy, arne, ian und gill im schottischen edinburgh eine band - broken records. ihr sound verbindet traditionellen europaeischen folk mit modernem alternative rock made in scotland. bereits die erste 7-inch-single if the news makes you sad don?t watch it erschien auf dem coolen londoner label young turks und wurde von den ueblichen verdaechtigen gefeiert - von radio 1 bis nme. letzterer erklaerte broken records zu one of the countrys most exciting new bands. das albumdebut auf 4ad entstand im monnow valley studio in wales, wurde von ian caple produziert und vereint grosse gefuehle mit grossartigem folkrock zwischen arcade fire und beirut.

after the inclusion of crushed by actress on the most recent prime numbers ep, we return with three tracks from one of our favourite contemporary producers. ghosts have a heaven is a heavily stripped down, minimally constructed piece built on a heavyweight kick drum whilst given movement and accentuated by filtered synth washes and sub bass which change subtly throughout the track. side 2 is taken by two tracks from the actress debut full length release on his own werk discs. hazyville is a twisted piece of electro funk expertly compressed and crackling with static energy. superb locking & popping lace the track sounding something like the avant gardism of subway theme from the wild style o.s.t pushed confidently into 2009. ext up redit 124 provides a deep clipped jackin groove with a glitchy feel. the beats are worked & moulded along with fizzing synths and jerky keys to produce a quality hybrid of sounds with its own idiosyncratic style firmly in place.

heres one of the jewels in the vvwi crown - a dark, smoky collaboration between tim sheridan and king roc described by sebo k as >great. very unique<. its a moody diversion from the european sound thats been a hit from tims birthday gig at dc10 to king rocs recent fifteen-gig stint in brazil, including the nye party on pratigi beach he called >one of the gigs of my life<. and now it comes with two new remixes - a more techno king roc rereub and a bouncier retake by vvwi stalwart andre crom...

mighty robot kicks off 2009 with the first vinyl release from french electro artists katelectro and jauzas the shining. the original version of >plug< is music custom-made for a dark room and a strobe, the spoken vocal adding to the sense of vague unease. newcomer ottomatique takes his >plug< rework in a different direction, retaining the vocal, adding some eighties synths and underpinning it all with a throbbing industrial meets disco bassline. the legendary ultradyne push the discomfort and discord up a notch in their remix, staying fairly true to the original, but drenching it with their unique sinister atmospherics. things take a reflective turn for closing track >art of noise< as ghosts crackle in the circuits and bring the collection to a close.

deadmau5 is back with huge smash hit >ghosts n stuff< and the minimal >peddler of misery<. ghosts n stuff was written especially for deadmau5s essential selection live from the warehouse project manchester. a new musical direction for the mau5, ghosts n stuff is a gigantic slab of french house. big organs and synths collide alongside a killer bassline and tight percussion. ghosts n stuff looks like being one of mau5s biggest hits to date. peddler of misery is the complete opposite to ghosts n stuff with its minimal arrangement and trippy double beat. the percussion is delayed and crazy, helping to create real messed up dancefloor moments!

what a huuge mash up!!!

new sub label from membrane recordings, blues + acid! in a human world, even the machines get the blues. discarded debris turning backs on the dusty strewn mess of cables and circuits in the corners time passes with calloused wind. random ghosts from the mississippi delta to chicago seem to find their way into the dusty boxes. a temporary home to let loose and vent.

the skull returns to kindisch with four impeccably sultry and leftfield dancefloor cuts. >must have back< is silky, chicaning mix of ice-cool male vocals and slick, vacuum-packed percussion that will prove devastating to discerning dancefloors, while >lalalala< is a raw, spaced-out house jam that serves up spry, bouncy congas, wobbly bass and clipped hi-hat patterns with no small amount of dubby echo and delay. >forever ever< is a wonderfully trippy slice of minimal techno, a heady bass and percussion workout haunted by the blue, smoky ghosts of jazz keys. be careful - you may well find yourself hypnotized forever ever.the mood is less abstract but no less intense or inviting for deep, reverb-laden closing track >lovesong<. an insistent kick-drum and mind-bending fx make this prime dancefloor material, but the mood of the track is more complex - wistful, pining, mindful of the past, expectant of the future - a lovesong through and through.

phreaky pop infected electro anthem

the follow up to the much loved acolyte is a chunky, driving downtempo italo esque piece for all the freaky dancers out there. please note the soundclip is from the unmastered audio and the actual record sounds bigger and brighter

nasty four tracker of subdued detroit minimal house from newcomer silivo manuel. silvio touches on a range of motor city vibes here, ranging from the moodyman styled atmospheric disco of the dark mind that is carlo marx to the haunting, minimal drums and native american chants of the dance of the ghosts.

indie/dance fusion. includes the replicants remix and plastician & skream dubstep remix

nice indie electro house mover incl remixes by para one (institubes), williams (get physical), filthy dukes (four music) and the black ghosts

drei verrückte techhouse stücke zum ausflippen. ab dafuer

losoul lässt den chor geschlossen antreten um uns mit einem mutigen stück geschmackssache die ohren klingeln zu lassen. derweil nistet sich p.schäfer in der nische zwischen environ & gomma ein

endlich die nächste misc klatsche. treibend, euphorisch mit dem hang zum Übersinnlichen. misc rockt

excellent deeper phunin house incl joeski remixes

reissue of the 1999 duster 6-track ep / mini album. limited mostly ghost white vinyl edition.

reissue of the 1999 duster 6-track ep / mini album. classic black vinyl edition.

limitierte 140g pink-transparente 2lp im gatefold sleeve inkl. 2-seitigem einleger, bonus sticker sheet und downloadkarte

140g schwarze 2lp im gatefold sleeve inkl. 2-seitigem einleger und downloadkart

the first-ever best of of nim vind is called anthology 1 and is released by sunny bastards records. pressed on clear red crossed vinyl.

limited edition of 300 copies on translucent orange coloured vinyl.

deluxe reissue on transparent red double vinyl.